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Lucifer dwells in us all.” After a four-year trial, Ramirez received 19 death sentences for his crimes, a punishment he shrugged off with the words, “Big deal… I’ll see you in Disneyland.” AC/DC naturally distanced themselves completely from the serial killer, but shaking off the association with what is undoubtedly their darkest, nastiest song would prove impossible.ĭespite appearing on The Downward Spiral, an album chronicling the destruction of man, Piggy isn’t necessarily evil in and of itself. In court, Ramirez played up to his monstrous image, greeting the courtroom with the words “Hail Satan” and telling the judge, “I am beyond good and evil. Ramirez’s childhood friend Ray Garcia subsequently told the authorities that the killer was obsessed by AC/DC, and specifically the creepy, chilling, voyeuristic closing track on the band’s 1979 Highway To Hell album, Night Prowler, leading to sensationalist media headlines such as “‘AC/DC Music Made Me Kill At 16’, Night Stalker Admits.” The Australian band were understandably horrified at the implication, with vocalist Brian Johnson (who joined the band after the song’s recording) telling VH1 television, “It sickens you to have anything to do with that kind of thing.” In the same Behind The Music special, AC/DC guitarist Malcolm Young claimed that Night Prowler is actually about “things you used to do when you are a kid, like sneaking into a girlfriend’s bedroom when her parents were asleep”, but lyrics such as ‘ No-one’s gonna warn you / And no-one’s gonna yell attack / And you don’t feel the steel / Till it’s hangin’ out your back’ rather undermined the idea that this was merely a paean to adolescent horniness.
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It would be a further five months, however, before Ramirez, dubbed the ‘Night Stalker’, was apprehended, bringing to an end a 14-month reign of terror in the Golden State during which a total of 13 people were murdered and 11 more sexually assaulted in their own homes. Dayle’s roommate Maria Hernandez was also shot in the face by Ramirez, but survived, and provided police with a pen portrait of a young man wearing an AC/DC baseball cap.
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And for headbangers who are experiencing riff overload and/or are brutally hungover, these tracks serve as solid alternatives to their usual bread and butter, still brimming with blood and shadow even if they aren’t designed to crush eardrums.On the evening of March 17, 1985, 25-year-old Texan drifter Richard Ramirez broke into the California homes of Tsai-Lian Yu and Dayle Okazaki and murdered both women. Plenty of other musicians – from country stars to rappers – have used their talents to craft melodies that make the listener feel as though they’re in the presence of Lucifer in one of his many forms. By now, enough metalheads have dedicated themselves to crafting music that gives off a sense of real menace – not just anthems to the Devil and Hell, but riffs and rhythms that channel the horrible darkness at the heart of humankind – that the description makes sense.īut metal doesn’t have a monopoly on evil. And with good reason – though that designation was applied to heavy pioneers like Black Sabbath and KISS against their will, metal bands have since come to revel in the role, if only for the Halloweenish fun of it.
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Heavy metal is generally considered to be rock’s most “evil” subgenre.